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You have to keep enough of the organism for it to reform each dawn; and you have to keep small supplies of significance and subjectification, if only to turn them against their own system when the circumstances demand it, when things, persons, even situations, force you to; and you have to keep small rations of subjectivity in sufficient quantity to enable you to respond to the dominant reality.
Gilles Deleuze, A Thousand Plateaus p. 160

Top to Bottom

HE LOVES ME, HE LOVES ME NOT. (icescapes series and detail)
2007. popcycles, light, plastic and wood.
Wall Installation with pop-cycle paintings.

(large image)
LITTLE BITS (icescapes series)
2007. popcycles, light, plastic and wood.
Wall Installation with pop-cycle paintings.

(small center image)
These new “Paintings” use various paint on acrylic surfaces and are part of a series of new works that unlike my installations are highly cathartic, immediate and engaged in stream of consciousness based images.

36,000 Feet ABOVE ICE STORM: VALENTINES DAY 2007
(separation anxiety series).
2007. paint on plastic.

LONG HOT SUMMERS, LONG COLD WINTERS.
2006. bags of kool-aid and light surfaces.
Pulse Biennale. 1708 Gallery, Richmond, VA.